Andrei Tarkovsky: Elements of Cinema

By Robert Bird

The masters of Russian arts and letters are a prestigious fraternity that comes with such popular artists as Tolstoy, Rachmaninoff, and Shostakovich. yet along those luminaries stands a lesser-known yet both respected determine, filmmaker Andrei Tarkovsky. Robert fowl bargains in Andrei Tarkovsky an remarkable research of Tarkovsky’s oeuvre and its far-reaching impression on international cinema.
Bird brings a singular method of his dissection of Tarkovsky’s thoroughly unique suggestions and sensibilities, arranging the flicks into elemental different types of Water, fireplace, Earth, and Air. Solaris, Ivan’s Childhood, Mirror, Nostalgia, Andrei Rublev, and Sacrifice all get their due right here; via them, chook explores how the filmmaker probed the elusive correlation among cinematic illustration and a extra primeval belief of the realm. although the publication additionally considers Tarkovsky’s paintings in radio, theatre, and opera—as good as his paintings as an actor, screenwriter, and movie theorist—Bird all through retains his concentration firmly on Tarkovsky as a consummate filmmaker.
Anchored via a wealth of movie stills and images, Andrei Tarkovsky is a must-read for all movie buffs and admirers of eu cinema.

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Eight Ibid. , p. a hundred forty five· eleven Ibid. , p. one hundred forty. Sergei Eisensrein, chosen Works, vol. 2: in the direction of a thought of Montage, ed. Michael I2. Glenny and Richard Ta)•lor (London, 1991), p. 229; translation adjusted in accordance ro: $. M. Eizenshtein, Monta�h. ed. Naum Kleiman (Moscow, 2000), p. 299. thirteen Eisenstein, in the direction of a thought of M. ontage, p. 229; Montazb, p. 299. 14 Andrei Tarkovskii, '[Vsesoiuznaia pereklichka kinematogralisrov]', lskusstvo ki110, no. 7 (1997) p. 5l· t five Andre Bazin, W hat. is Cinema? , ed. Hugh grey, foreword by way of Jean Renoir (Berkele); CA, l. a. and London, 1967), vol. I , pp. 2. 7, forty nine· Filmography/Credits r6 17 r8 19 20 r. movies directed through Andrei IO Ibid. , p. 37· lusov, in Chto takoe kino? (Moscow, 1989), p. 237. Ibid. , pp. 235-6. Ibid. , p. 236 Ibid. , p. 237. 21 Ibid. , p. 238. Slavoj Zizek, 'The factor from internal Space', Se:watio11, cd. Renata Sa led, (Durham 2. 2 :md London, 2000), p. 233· 23 Ibid. 24 Oleg Beliavskii, 'Na s"emkakh fil'ma A11drei Rubliiv', Sovetskii (il'm, no. five (1966), p. 21; cf. Oleg Bclyavsky, 'The Filming of Andrei Rublyov', Soviet Fihn, no. five (1 966), p. 21. 2. five Jacques lbncierc, movie Fables, trans. Emiliano Battisra (Oxford, 2. 006), p. eleven' 1. 10: surroundings 1 Sec Owe Svensson's reviews at http://www. filmsound. org/owcsvensson, accessed 17 Tarkovsky The Killers (Ubiitsy), 1956, 19 min. Black and white Pwduction corporation: VGIK (All-Union Srare Institute of Cinematograph), Director: Marika Bciku, Aleksandr Gordon, Andrei Tarkovsky, Screenplay: Aleksandr Gordon, A. Tarkovsky, in line with a srory by way of Ernest Hemi ngway, images: A. Rybin, A. Al'veres Starring lulii Fait (Nick Adams), Aleksandr Gordon (George), lurii Dubrovin (firsr cusromer), Valentin Vinogradov (AI), Vadim Novikov (Max), Andrei Tarkovsky (second customer), Vasilii Slwkshin (Ole Anclreson) there'll be No depart this day (Segodnia uvol'n. en. iia ne budet), 1958, forty seven min. Black and white could 2002, and rhe liner notes ro old Swedish Pastoral J lusic, Caprice documents, \l (CAP 21483). 2. Vadim lusov, 'Tarkovskii osralsia soboi', l. itemlllmaia Rossiia (2. 2 April 1988), p. n . three Quored from Tamara Verina, 'Tarkovskii o Tarkovskom: pochri semeinyi razgovor', Kul't11m i zhizn , no. ro (1979), p. 2. three. four Andrei Tarkovsk); 'Percd nov)•mi zadachami', lsk�tsstuo kino, no. 7 ( 1' 997), p. 1 ! 7. construction corporation: the learning Studio of VGIK and the valuable tv Smclio manufacturer: A. Ia. Koroshev, Screenplay: A. Gordon, I. Makhova, A. Tarkovsky Director: A. Gordon, A. Tarkovsk)', below rhe supervision of A. Zhigalko and E. N. Foss in rhc process M. I. Romm, Assistant to Director: A. Kuptsova, Cameramen: L. Bunin, E. lakovlev, lower than the supervision of ok. 1'vl. Vcnrs, Assistant to cameramen: five \( Ponamarcv, Composer: lu. Matskevich, Sound: zero. Polisonov, artwork Director: S. Peterson, 1995 ' Ibid. , p. u6. 6 Walter Benjamin, chosen Writings, eels Howard Eiland, 1vlichacl \Y/. Jennings and Gary Smirh, vol. 2 (Cambridge, MA, •999), p. fifty one. zero. 7 Transbrion :1dapted from Andrcy Platonov, So11/ [Dzban), rrans. Robcrr and Elizabeth Chandler and Ol�a Mcerson, wid1 jane Chamberlain, Olga Kouznetsova and Eric Naiman (London, 2003) pp.

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